I knew it was false warmth but I took it anyway. The rain suited me, and blotted out all the sounds from outside.Looking at the foreign bed in the darkness I thought about waking on that Christmas morning five years ago, with naked Abigail pressed hard against me, half laying on top of me as if afraid I would escape. As the dawn came up the dim light from outside showed large flakes of snow. I lay there feeling her smooth skin and smelling us. We smelled like sex, well the aftermath of sex anyway. I smiled as I watched her sleep, feeling like I was where I belonged. She had told me she loved me and I certainly loved her. I just wanted to stay in bed all day and hold her and make love to her.The night before we had come into the house still holding each other. We had hung our coats in the alcove by the kitchen, as always, but this time we didn't stop at the living room. Abigail took my hand and led me to her bedroom.Despite the sexual tension from being so close for almost two months,. This piece is nearing its completion, and I will replay the main theme twice, to the conclusion. My concentration returns to the music, and to Anton’s conducting. The accepted technique for playing the latter part is to use a full bow, and a rather singing tone, but each artist has his or her own interpretation. I go with the standard technique to keep it from becoming overly ornamented. I am in full concentration as the piece nears the end, which from my part is very expressive and singing, and then slows to the ending on a very high A, which must be crystal clear. I tilt my bow down to finish on the E (highest pitched) string, holding the final note as long as Anton indicates, and no longer. I pull my instrument from under my chin, and relax the bow as the audience rises from their seats, and erupts in thunderous applause, with some sporadic shouts of ‘Brava! Brava!’ I look around at Rebecca who is in tears, and tapping her violin with the bow as applause, and the rest of the.
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